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Wien, 26.03.2019, 16:15   DEUTSCH / ENGLISH




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Kalender

Diese Rubrik kann von Universitäten, psychoanalytischen Vereinen, Verlagen, Auktionshäusern und Museen genützt werden, um auf ihre Psychoanalyse relevantes Programm aufmerksam zu machen. So soll es für unsere internationalen User schneller möglich sein, zu erfahren, wann und wo der nächste Kongress, die nächste Tagung, Versteigerung oder Buchpräsentation stattfindet. 

Falls wir Ihr Interesse wecken konnten, für weitere Informationen bitte Email an: kalender@derwienerpsychoanalytiker.at



Freud, Dalí and the Metamorphosis of Narcissus

03.10.2018 - 24.02.2019

öffentlich
Veranstalter: Freud Museum London
Veranstaltungsort: Freud Museum London
20 Maresfield Gardens
NW3 5SX London
Vereinigte Königreich
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ENGLISCH

Sigmund Freud and Salvador Dalí are two of the most significant and influential figures of the twentieth century.
Dalí was a passionate admirer of the father of psychoanalysis and finally met him in London on July 19th 1938. This year 2018 marks the 80th anniversary of this event. A new exhibition at the Freud Museum will explore the connection between the two men, starting from their one meeting, to which Dalí brought his recently completed painting The Metamorphosis of Narcissus.

The painting, on loan from the Tate, will be the central point in the exhibition for an exploration of the extensive influence of Freud on Dalí and on Surrealism. Also considered will be Freud’s own attitude to painting, illuminated by his response to this encounter with Dalí.

Dalí had read The Interpretation of Dreams as an art student in Madrid in the early 1920s. This was, he wrote, “one of the capital discoveries of my life, and I was seized with a real vice of self-interpretation, not only of my dreams but of everything that happened to me.” This passion for self-interpretation took not just visual but also written form. In 1933 Dalí wrote a “psycho-analytical essay”, as he described it, on the famous painting by Jean-François Millet, The Angelus. The essay was eventually published as a book, The Tragic Myth of Millet’s ‘Angelus’. In it, Dalí explores his own obsession with the painting, which he lays out in the form of a Freudian case history.

In 1938, after several attempts, Dalí finally met his hero Freud, newly arrived in London after fleeing from Nazi-occupied Vienna. The meeting was brokered by Stefan Zweig, who was present, together with Dalí’s friend and patron Edward James, who owned The Metamorphosis of Narcissus. Dalí hoped his painting would allow him to engage Freud in a discussion of the psychoanalytical theory of Narcissism and would help him to demonstrate his concept of critical paranoia.

Dali was given permission to sketch Freud during the visit. These drawings, now in the Fundacio Gala-Salvador Dalí in Spain, will be on display, and Dali’s long poem with the same title as the painting, The Metamorphosis of Narcissus. There will also be material from the Freud Museum’s archive and collections, shedding light on Freud’s attitude to Dalí and their meeting.

Other themes of the exhibition will include the classical origins of the myth of Narcissus and the place of narcissism in psychoanalytic thinking. Freud’s own collections will play a part. For example, they include a copy of the classical relief Gradiva; Freud’s study of Wilhelm Jensen’s novel Gradiva was the inspiration for some of Dalí’s important paintings and drawings on this theme from the early 1930s.

Through images, including original paintings and drawings, photographs and prints, and documents including letters, manuscripts, books and Freud’s appointment diary, the intense – if somewhat one-sided -relationship between two extraordinary thinkers and creators will be explored.

The exhibition will be curated by the distinguished art historian Dawn Ades, curator of the recent highly successful Dali/Duchamp exhibition at the Royal Academy of Arts.

The exhibition will be accompanied by a catalogue, and an exciting public programme, which will include lectures and debates on topics including Narcissism, the relationship between art and psychoanalysis through Freud’s writings on Leonardo and Michelangelo, Freud and surrealism, psychoanalysis and classicism, and Lacan’s debt to Dalí’s critical paranoia.

THERAPEUTISCHE CARTOONS

26.10.2018 - 28.02.2019

öffentlich
Veranstalter: Galerie der Komischen Künste
Veranstaltungsort: MuseumsQuartier/Q21
Museumsplatz 1

1070 Wien
Österreich
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Wie sieht Psychoanalyse beim Werbepsychologen aus? Woran erkennt man einen Psychiater beim Blind Date? Und was machen Löffel bei der Sexualberatung?

Diesen und anderen Fragen gehen die besten Cartoonist_innen des deutschen Sprachraums (und zwei Gastzeichner aus den USA) in diesem Buch nach. Damit hätte wohl auch Sigmund seine Freud‘ gehabt.

Maudsley Lectures - Spring 2019

14.01.2019 18:30 - 01.04.2019

öffentlich
Veranstalter: Institute of Psychoanalysis
Veranstaltungsort: Institute of Psychoanalysis
10 Windsor Walk
SE5 8BB London
Vereinigte Königreich
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ENGLISCH

Join us for the Maudsley lectures - a series of talks and discussion groups exploring the application of psychoanalytical concepts to clinical work and beyond. This year our lectures explore the psychoanalytic consultation, and the relationship between mind and body.

The Maudsley lectures will be of particular interest to clinicians, and trainees working in psychiatry, psychology, psychotherapy, nursing and other areas of mental health. However, anyone is welcome to attend.

Lectures start at 6.30pm and are held on Mondays
Each lecture lasts approximately one hour, then there is time for questions
There is a short break before moving into smaller discussion groups
Groups start at 8pm and last for around one hour
You will stay in the same discussion group thoughout the term, so that you can explore the themes in a group setting and deepen your understanding together
You will be provided with a reading list and core reading material for each lecture
NEW FOR 2018/19:
These lectures are available to book as a whole term only - You cannot purchase individual lectures.

London Introductory Lectures - Spring 2019

16.01.2019 - 27.03.2019

öffentlich
Veranstalter: Institute of Psychoanalysis
Veranstaltungsort: Institute of Psychoanalysis
112A Shirland Road
W9 2BT London
Vereinigte Königreich
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ENGLISCH

Whether you are completely new to psychoanalysis, or you wish to deepen the knowledge you already have, the Introductory Lectures will help you discover key psychoanalytic concepts and how they apply in the consulting room and beyond.

You´ll hear from renowned psychoanalysts at the forefront of psychoanalytic practice, including those who have trained, taught and supervised at leading universities and treatment centres like the Tavistock Clinic, The Portman Clinic and the Maudsley Hospital.

Lectures start at 5.45pm and are held on Wednesdays in Maida Vale, London
Each lecture lasts approximately one hour, including time for questions
There is a short break before moving into smaller discussion groups
Groups start at 7pm and last for around one hour
You will stay in the same discussion group thoughout the term, so that you can explore the themes in a group setting and deepen your understanding together
You will be provided with a reading list and core reading material for each lecture
PLEASE NOTE: While you are able to purchase Spring 2019 by itself, we would only recommend this option if you attended Autumn term in 2017. This is because the lectures in Spring Term build on the knowledge gained in Autumn - this is best experienced as a two-term course.

Leeds Introductory Lectures - Spring 2019

16.01.2019 19:00 - 27.03.2019

öffentlich
Veranstalter: Institute of Psychoanalysis
Veranstaltungsort: Leeds - Northern School of Child & Adolescent Psychotherapy
34/36 Springwell Road
LS12 1AW Leeds
Vereinigte Königreich
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ENGLISCH

The Introductory Lectures are a two-part series, offering an overall view of the core concepts in psychoanalysis and their main applications.The course is open to all including those completely new to the subject and no specific experience or qualifications are required.

It’s an opportunity for learning and discussion in the company of a range of people sharing curiosity and interest regarding psychoanalytic ideas and their relation to the world, psychoanalysis as a treatment and psychoanalysis as a profession.

Participants are provided with basic texts for each lecture and further reading is suggested and is available from the Institute’s library.

Course leaders: Mr Richard Agass and Dr Anuradha Menon

When: Wednesdays 7.00PM– 9.00PM

PROJECTIONS: Erotic Cinema

21.01.2019 19:00 - 25.02.2019

öffentlich
Veranstalter: Freud Museum London
Veranstaltungsort: Freud Museum London
20 Maresfield Gardens
NW3 5SX London
Vereinigte Königreich
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ENGLISCH

Since the first kiss was documented on film in 1896, erotic cinema has titillated viewers and outraged repressed moralists.
The depiction of sexuality can have a pronounced effect on character development, shaping the direction of a film’s central themes. Sigmund Freud believed that “the behaviour of a human being in sexual matters is often a prototype for the whole of their other modes of reaction in life.” We respond to provocative content that ‘turns us on’; risqué scenes make the heart beat faster and ignite the imagination. Psychoanalysts regard sexuality as the key to understanding how the mind works; “no one who disdains the key will ever be able to unlock the door,” Freud warned.

Eros, the Ancient Greek word for romantic love, is tantamount to the life instinct in psychoanalysis, constituting the pleasures of the flesh, procreation, survival, productivity and the desire to unite with others. Early on, Freud defined erotic impulses as being opposed by the Ego. But later, in Beyond The Pleasure Principle (1920), he placed Eros in contrast to the so-called ‘death wish’: repetition, aggression, a masochistic need to sabotage what we love, and the compulsion to return to an inorganic state (i.e., Thanatos).

The simultaneously binding and clashing forces of sex and death together form an entwined dual system that is the source of all creation. PROJECTIONS: Erotic Cinema is a 6-week course exploring this paradoxical tension in eroticism, tracing its manifestation in moving image, from unbridled passions to destructive urges, via deviant practices, to a more diverse and inclusive representation of romance, culminating in a study of modern technology’s impact on the realm of the senses.

Advance viewing is optional, bespoke montages will be shown during weekly sessions (see filmography below):

Week 1: EROS

Sex and Lucía (2001), 9 Songs (2004), Love (2015)

Week 2: THANATOS

Damage (1992), Exotica (1994), Berlin Syndrome (2017)

Week 3: FETISH

The Night Porter (1974), Crash (1996), Secretary (2002)

Week 4: TABOO

9 1/2 Weeks (1986), Breaking The Waves (1996), L’Amant Double (2017)

Week 5: QUEER

Y Tu Mamá También (2001), Below Her Mouth (2016), Moonlight (2016)

Week 6: TECHNOLOGY

Sex Lies and Videotape (1989), Her (2014), Blade Runner 2049 (2017)

PROJECTIONS is psychoanalysis for film interpretation. PROJECTIONS empowers film spectators to express subjective associations they consider to be meaningful. Expertise in psychoanalytic theory is not necessary – the only prerequisite is the desire to enter and inhabit the imaginary world of film, which is itself a psychoanalytic act. MARY WILD, a Freudian cinephile from Montreal, is the creator of PROJECTIONS.

Surrealism & Psychoanalysis: Conquest of the Irrational?

27.01.2019 10:00

öffentlich
Veranstalter: Freud Museum London
Veranstaltungsort: Freud Museum London
20 Maresfield Gardens
NW3 5SX London
Vereinigte Königreich
>> Webseite

ENGLISCH

“It would be very interesting to investigate analytically how a picture like this came to be painted.” (Freud)

In 1938 Salvador Dalí met Freud in London, bringing with him his painting Metamorphosis of Narcissus and a new article about his ‘paranoiac-critical’ method, first described in his book Conquest of the Irrational.

Freud was an inspiration for the Surrealists and they were well-versed in his ideas, particularly his work on dream theory, free association, and investigations into the workings of the unconscious. In the 1924 Surrealist Manifesto, André Breton defined Surrealism as “pure psychic automatism”, in other words, the uncensored workings of the unconscious. In later years Jacques Lacan’s close relationship with the Surrealists led to a lasting bond that continued to link psychoanalysis and surrealism until the present day. Can the paranoiac-critical method be a valid means of understanding psychosis?

This conference will address psychoanalysis and its impact on Surrealism and the impact of Surrealism on psychoanalysis, bringing together art historians, psychoanalysts, authors and artists to reflect on the many facets of this relationship.

Psychoanalyse und Film - Blood simple (Eine mörderische Nacht)

27.01.2019 17:30

öffentlich
Veranstalter: Akademie für Psychoanalyse und Psychotherapie München e.V.
Veranstaltungsort: Filmmuseum München
St. Jakobs-Platz 1
80331 München
Deutschland
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Die Filmreihe Psychoanalyse und Film eine Kooperation des Filmmuseums München und der Akademie für Psychoanalyse, wird fortgesetzt. Das Thema dieser Reihe Psychoanalyse und Film ist "Die Nacht"

Blood simple (Eine mörderische Nacht)
USA 1984 - R. u. B.: Joel und Ethan Coen - D: Frances McDormand, John Getz - M: Emmet Walsh, Dan Hedaya - K: Barry Sonnenfeld - M: Carter Burwell - 99 Minuten, 0mU
Das von der Kritik gefeierte Spielfilmdebut der Brüder Joel und Ethan Coen erfüllt alle Kriterien eines düsteren Neo Noir Film. Allerdings spielt sich der Überlebenskampf seiner Protagonisten nicht im Dschungel der nächtlichen Stadt ab, sondern Weite und Trostlosigkeit einer gottverlassenen Gegend in Texas illustrieren, wie ausgesetzt und fremd sich die Protagonisten in ihrer eigenen Existenz fühlen. Ohne Psychologisierung oder Erklärungsansätze der Autoren erleben wir atemlos, wie, ausgehend von der klassischen Konstellation Ehemann rächt sich an untreuer Gattin nebst ihrem Liebhaber, eine katastrophale Entwicklung ihren Lauf nimmt. Im Gegensatz zu vielen Thrillern sind wir Zuschauer hier den Protagonisten immer um ein winziges, aber entscheidendes Quäntchen Verständnis voraus. Diese nämlich können einander einfach nicht verständigen. Auf einer real-bildlichen Ebene im Film wird durch diese Abfolge des Missverstehens die tiefere Dimension fehlender Einfühlung in Motive, Intentionen und Erleben eines Anderen illustriert.
Oscar-Preisträgerin Frances McDormand zeigt hier erstmals ihre magische Präsenz auf der Leinwand und ihr enormes Talent, uns die Essenz eines Menschen nahe zu bringen ganz im Gegensatz zu dem ersten Eindruck, dass diese lakonische, fast spröde Schauspielerin eigentlich gar nichts Nennenswertes tut.

Moderation: Katharina Leube-Sonnleitner



Sigmund Freud Museum SFU Belvedere 21er haus stuhleck kunsthalle
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